Diegesis
Journal of the Association for Research in Popular Fictions
Latest Diegesis...
No. 9 Spring 2006Editor Nickianne MoodyTwo Pirates (on the) Account: The Journals of William Dampier and
George Shelvocke Transatlantic Sketches: Depictions of the Sea Crossings by Dickens
and James Practically Unsinkable - The Boyage of the R. M. S. Titanic
throughout Twentieth Century Film How Did This Come To Be In Stewardess Scheheraxade's Sea-Chest of
'Memories'? Exploring the Exceptionalised and Auratic Sea Through
Inter-War Seawoman's Oral Testimonies 1805 and All That: Defining the Naval War Film Obedience, Authority and Strategies of Resistance in the Cinematic
Bounty Sailing to the edge of the World Speech Patterns: Pincher Martin and Open Water Consume
Us "Not All Treasure is Silver and Gold Mate": The Enduring Popularity
of the Pirate Narratuves |
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No. 1 Winter 1997Editor Nickianne MoodyThe Appeal of Reading: the Jerome Illustration in Wynkyn de Worde's
VitaePatrum "A True Picture of Old English Manners": Scott's Ivanhoe and
English Nationalism Postmodern Gothic: The Lost Brides of Frankenstein and the Dark Taste
of Fear Bouzouki or Pop Music?: Cultural Identity in the Greek Film Musical
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| The Female Clown as the New Feminist Masquerade?: or Whose
Party is it Anyway? Anna Birch Interview with Sheila Holland (Charlotte Lamb)
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No. 8 Winter 2004Chicklit Editor Nickianne MoodyHigh Anxiety: Feminism, Chicklit And Women In The Noughties Shop Boys and Girls!: Interpellating Readers as Consumers in Chicklit and Ladlit ‘Kiss My Tiara’ : Chicklit and Female Empowerment Commitment Phobia and Emotional Fuckwittage: Postmillenial Constructions of Male “Other” in Chicklit novels
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Material Girls: Location and Economics in Chicklit Fiction, Or, How Singletons Finance Their Jimmy Choo Collections Bridget Jones’s Little Red Dress: Chicklit, Mass-Market Popular Romance & Feminism Empathy and Irony In The Soundtrack to Chicklit Tart Noir: Chicklit with Criminal Balls?
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No. 7 Summer 2004Editor Michelle BernardVictorian Horror Narratives: Troping Improper Femininity in Mary Elizabeth Braddon's Lady Audley's Secret The Horror of Existence: Spectres and Potentially in the Writing of Henry James M.R. James's Gothic Revival 'Read it in the Spirit of Breaking the Rules': African-American and Afro-Caribbean Wonen's Horror as Contemporary Cultural Critique |
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| All Dark Inside: Zombies and Detectives Readers as Cyborgs: Constructing Reading Experiences in Anita Blake, Vampire Hunter. Family Butcher Nightmarried Another Girl Another Planet: A Reading of Ripley as Cyborgian Trickster Rape and the Vampire: From Myth to Porn "This is where you get off": The Problem of Ambivalence in Early Episodes of Buffy the Vampire Slayer
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No. 6 Spring 2000ParenthoodGothic Families: Criminal Parenting in the Work of Ruth Rendell/Barbara Vine. The Family’s Value: The Parent and Child in Point Horror. Visions and Versions of Parenthood in British and American Series Romance. ‘So calm, so pure, so beautiful in death …’ The Representation of Maternal Death in Nineteenth Century Literature. The Isolated Teenager Convention in Point Horror. |
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‘Only
a story’? It’s more
than that, …’: Race,
Eugenics and Birth Control in Popular Romance between the Wars. Popular Culture, the Media and the Literary Canon: The case of Conrad’s Heart of Darkness. Click here to request a copy of this journal |
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No. 5 Winter 1999Editorial: Empirical or Empiricist?
The 'common sense' of Cultural Studies: Qualitative Audience Research
and the Role of Theory in(-) determining method |
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| Reappraising Ethnography in South African Television
Reception Studies Dorothy Roome 'Reality is a Dangerous Concept': Accounts of Appreciation Amongst
an Online Fan Community
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No. 4 Summer 1999Editorial: Adventures, Mysteries and Romance
David Storey's and Lindsay Anderson's This Sporting Life: Reflections on
the Aetheticization of the Sporting Body |
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| A New Man Is Born? The New Hero in Action Adventure and
Wilbur Smith's The Seventh Scroll Isabel Santaulária Anarchic Spaces in Sword and Sorcery Fiction 'Dangerous Undesirables': Chesterton, Wallace, Conrad and the 1905
Aliens Act
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No. 3 Winter 1998Editor Nickianne MoodyEmotions, Memories and Romance Readers: A Case Study of Laila Hietamies
and her Fans Towards a Better Soundscape Believing the Lie: Meme Theory and the Conspiracy Virus in the X-Files Symbolic Geographies in Feminine Romance: Why Manderly Has to Burn |
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| Love Bites: Contemporary Women's Horror Writing Gina Wisker The Women Behind the Mask: Unveiling Female Power in Late
Victorian and Early Twentieth Century Crime Fiction
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No. 2 Summer 1998Editor Nicola KingDon Juan the Dyke: Perversity and/or Pleasure Agents of the State?: Violent Women in Popular Culture States of Emergency: Love, Fiction and History in André Brink's
States of Emergency Metonymic Traces of Narrative's Desire in Post-Catastrophic Fiction |
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| Un)Popular Postmodernism: Reading Kazuo Ishiguro's An Artist of the
Floating World John McLeod The Seductions of Travel: Problematics and Possibilities in Two
Post-Colonial Women's Texts Active Netizens: Television, Realism and the ER Website Books and the Bookseller
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No. 1 Winter 1997Editor Nickianne MoodyThe Appeal of Reading: the Jerome Illustration in Wynkyn de Worde's
VitaePatrum "A True Picture of Old English Manners": Scott's Ivanhoe and
English Nationalism Postmodern Gothic: The Lost Brides of Frankenstein and the Dark Taste
of Fear Bouzouki or Pop Music?: Cultural Identity in the Greek Film Musical
|
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| The Female Clown as the New Feminist Masquerade?: or Whose
Party is it Anyway? Anna Birch Interview with Sheila Holland (Charlotte Lamb)
Click here to request a copy of this journal |
||||